NaPoWriMo, the Substack Version

April is National Poetry Month! Let's celebrate!

Mar 31, 2024

When I committed to The February Poetry Adventure organized here on Substack by

I was dubious. I’ve tried “poem-a-day” challenges before and I’d never made it past the first few days. I’d miss a day and feel discouraged and eventually give up. But Petra made the whole thing feel so much less like a challenge and more like an invitation to inspiration, that I was persuaded to give it a try.

I’m so glad I did. No, I did not write a poem every day in February. But I responded to a lot of prompts and ended up with twenty one draft poems that I am continuing to edit and tweak. Even better, I met a bunch of wonderful new people (

Lisa Andradez

Jo Vraca

Lindsey Lombard-Hales

Kathrine Elaine

, and

Margaret Ann Silver

, I’m talking about you.) whose responses to the daily prompts were as inspiring as the prompts themselves.

April is National Poetry Month here in the U.S., and Washington, D.C. poet Maureen Thorson is offering us a really lovely way to celebrate. She started NaPoWriMo.net (National Poetry Writing Month), which was inspired by NaNoWriMo (National Novel Writing Month, a.k.a. November). It is an invitation to write a poem each day in April. There will be a new prompt there each day. You can visit her site yourself and even link to your responses from there. Or… (for Marvel Shang-Chi fans, cue “Welcome to the Hotel California…” here. iykyk)

Following Petra’s excellent example I thought it might be fun if we had our own Substack NaPoWriMo right here. My plan is to post the daily prompts from NaPoWriMo in Notes each morning (US Eastern time). In case our paths don’t naturally cross on Notes, I’m also going to add each new prompt with a link to the day’s Note right here on this post.

Like we did during the February Poetry Adventure, I’m thinking it would fun to use the daily Note as a place to post any poems you want to share in the comments. But no pressure! We can also just use the comments to talk about the prompts, our process, the weather (Maine is getting snow again this Thursday, so I’ll probably be talking about that and the likely resulting delay of Opening Day at our local ballpark. Noooooooo!!!!!!)

If you’re still feeling intimated or dubious about the whole “poem-a-day-for-30-days thing,” think of it this way: you’re not writing a poem, you’re making a poem attempt. You are accepting an invitation to inspiration and seeing where it takes you. You never have to post a poem at all if you’d rather not. You can give yourself a time limit for your response. (A lot of my responses in February were written in twenty minutes or less in smaller chunks throughout the day.) You can swing by every day or once a week. Ignore the prompts that don’t thrill you. But come join us, come visit in the comments and read a few poem attempts from other people when you’ve got time. As I said, I’m going to add the new prompts to the end of this post each day, so you can always come back here and catch up.

As the self-appointed host of NaPoWriMo on Substack I’m only going to make one rule, and I’m going to shamelessly steal it from Petra and the February Poetry Adventure: “…If you choose to share a poem, please keep it free from hate speech and excessive violence.” And let’s make the comments a place where everybody feels at home. Like I always told my kids, “Always be kinder than you have to be.” Huge thanks to

26thAvenuePoet

for putting this particular bee in my bonnet.

Welcome to April, National Poetry Month! NoPoWriMo Substack Poets Version!

NaPoWriMo Poetry Writing Prompts

(NOTE:Use the links for each day to access the daily Note and share your poems there!)

March 31 (Bonus Early Bird Prompt): Pick a word from the list below. Then write a poem titled either “A [your word]” or “The [your word]” in which you explore the meaning of the word, or some memory you have of it, as if you were writing an illustrative/alternative definition.

Cage
Ocean
Time
Cedar
Window
Sword
Flute

April 1: Today, we’d like to challenge you to write – without consulting the book – a poem that recounts the plot, or some portion of the plot, of a novel that you remember having liked but that you haven’t read in a long time.

April 2: Today, we’d like to challenge you to write a platonic love poem. In other words, a poem not about a romantic partner, but some other kind of love – your love for your sister, or a friend, or even your love for a really good Chicago deep dish pizza. The poem should be written directly to the object of your affections (like a letter is written to “you”), and should describe at least three memories of you engaging with that person/thing.

April 3: Today, we’d like to challenge you to write a surreal prose poem. For inspiration, check out Franz Kafka’s collection of short parables

April 4: Our (optional) prompt for the day challenges you to write a poem in which you take your title or some language/ideas from The Strangest Things in the World. First published in 1958, the book gives shortish descriptions of odd natural phenomena, and is notable for both its author’s turn of phrase and intermittently dubious facts. Perhaps you will be inspired by the “The Self-Perpetuating Sponge” or “The World’s Biggest Sneeze.” Or maybe the quirky descriptions of luminous plants, monstrous bears, or the language of ravens will give you inspiration.

April 5: Today we’d like you to start by taking a look at Alicia Ostriker’s poem, “The Blessing of the Old Woman, the Tulip, and the Dog.” Now try your hand at writing your own poem about how a pair or trio very different things would perceive of a blessing or, alternatively, how these very different things would think of something else (luck, grief, happiness, etc).

April 6: Today’s we’d like to challenge you to write a poem rooted in “weird wisdom,” by which we mean something objectively odd that someone told you once, and that has stuck with you ever since. Need an example? Check out Naomi Shihab Nye’s poem “Making a Fist.”

April 7: Today, we’d like to challenge you to write a poem titled “Wish You Were Here” that takes its inspiration from the idea of a postcard. Consistent with the abbreviated format of a postcard, your poem should be short, and should play with the idea of travel, distance, or sightseeing. If you’re having trouble getting started, perhaps you’ll find some inspiration in these images of vintage postcards.

April 8: …our (optional) prompt for the day takes its inspiration from Laura Foley’s poem “Year End.” Today, we challenge you to write a poem that centers around an encounter or relationship between two people (or things) that shouldn’t really have ever met – whether due to time, space, age, the differences in their nature, or for any other reason.

April 9: Our prompt for today…takes its inspiration from Pablo Neruda, the Chilean-born poet and Nobel Prize Winner. While he is most famous in the English-speaking world for his collection Twenty Love Poems and a Song of Despair, he also wrote more than two hundred odes, and had a penchant for writing sometimes-long poems of appreciation for very common or mundane things. You can read English translations of “Ode to the Dictionary” at the bottom of this page, “Ode to My Socks” here, and “Ode to a Large Tuna in the Market” here. Today, we’d like to challenge you to write your own ode celebrating an everyday object.

April 10: Ezra Pound famously said that “poetry is news that stays news.” While we don’t know about that, the news can have a certain poetry to it. Today, we’d like to challenge you to write a poem based on one of the curious headlines, cartoons, and other journalistic tidbits featured at Yesterday’s Print, where old new stays amusing, curious, and sometimes downright confusing.

April 11: our…prompt for the day honors the “ones” in the number 11. Today, we’d like to challenge you to write either a monostich, which is a one-line poem, or a poem made up of one-liner style jokes/sentiments. Need inspiration? Take a look at Joe Brainard’s poem “30 One-Liners” or Frank O’Hara’s “Lines for the Fortune Cookies.”

April 12: Today, we’d like to challenge you to write a poem that plays with the idea of a “tall tale.” American tall tales feature larger-than-life characters like Paul Bunyan (who is literally larger than life), Bulltop Stormalong (also gigantic), and Pecos Bill (apparently normal-sized, but he doesn’t let it slow him down). If you’d like to see a modern poetic take on the tall tale, try Jennifer L. Knox’s hilarious poem, “Burt Reynolds FAQ.” Your poem can revolve around a mythical character, one you make up entirely, or add fantastical elements into a real person’s biography.

April 13: our…prompt for the day asks you to play with rhyme. Start by creating a “word bank” of ten simple words. They should only have one or two syllables apiece. Five should correspond to each of the five senses (i.e., one word that is a thing you can see, one word that is a type of sound, one word that is a thing you can taste, etc). Three more should be concrete nouns of whatever character you choose (i.e., “bridge,” “sun,” “airplane,” “cat”), and the last two should be verbs. Now, come up with rhymes for each of your ten words. (If you’re having trouble coming up with rhymes, the wonderful Rhymezone is at your service). Use your expanded word-bank, with rhymes, as the seeds for your poem. Your effort doesn’t actually have to rhyme in the sense of having each line end with a rhymed word, but try to use as much soundplay in your poem as possible.

April 14: Today’s prompt asks you to write a poem of at least ten lines in which each line begins with the same word (e.g., “Because,” “Forget,” “Not,” “If”). This technique of beginning multiple lines with the same word or phrase is called anaphora, and has long been used to give poems a driving rhythm and/or a sense of puzzlebox mystery. To give you more context, here’s an essay by Rebecca Hazelton on her students’ “adventures in anaphora,” and a contemporary poem that uses anaphora to great effect: Layli Long Soldier’s “Whereas.”

April 15: Today, we’d like to encourage you to take a look at @StampsBot, and become inspired by the wide, wonderful, and sometimes wacky world of postage stamps. For example, while it certainly makes sense that China would issue a stamp featuring a panda, it’s less clear to us why the Isle of Man should feel the need to honor 2001: A Space Odyssey in stamp form. From Romanian mushrooms to Sudanese weavers to the Marshall Islands getting far too excited over personal computing, stamps are a quasi-lyrical, quasi-bizarre look into what different cultures (or at least their postal authorities) hold dear. And if you’re not on or able to access the @StampsBot account, fear not! You may find an inspiring stamp or two by perusing the online “International Philately” (say that three times fast) exhibit from the National Postal Museum.

April 16: Today, we challenge you to write a poem in which you closely describe an object or place, and then end with a much more abstract line that doesn’t seemingly have anything to do with that object or place, but which, of course, really does. The “surprise” ending to this James Wright poem is a good illustration of the effect we’re hoping you’ll achieve. An abstract, philosophical kind of statement closing out a poem that is otherwise intensely focused on physical, sensory details.

April 17: Today, we’d like to challenge you to write a poem that is inspired by a piece of music, and that shares its title with that piece of music. Need an example? Here’s A. Van Jordan’s “Que Sera Sera” and Adrian Matejka’s “Soave Sia Il Vento.”

April 18: Today, we’d like to challenge you to write a poem in which the speaker expresses the desire to be someone or something else, and explains why. Two possible models for you: Natasha Rao’s “In my next life let me be a tomato,” and Randall Jarrell’s “The Woman at the Washington Zoo.”

April 19: This one comes to us from Moist Poetry Journal, which posted this prompt by K-Ming Chang a while back: What are you haunted by, or what haunts you? Write a poem responding to this question. Then change the word haunt to hunt.

April 20: Our optional prompt for the day challenges you to write a poem that recounts a historical event. In writing your poem, you could draw on your memory, encyclopedias, history books, or primary documents. If you’re interested in a little research, you might find interesting this collection of letters written during the American Civil War, or this collection of primary documents concerning South Sea voyages. Or perhaps you might find something of interest in digging through Europeana, an online clearinghouse of digitized materials from cultural institutions across Europe.

April 21: Today, we’d like to challenge you to write a poem that repeats or focuses on a single color. Some examples for you – Diane Wakoski’s “Blue Monday,” Walter de la Mare’s “Silver,” and Dorothea Lasky’s “Red Rum.”

April 22: This one comes from the poet and fiction writer Todd Dillard, who provided this idea on his twitter account a few months ago. The idea is to write a poem in which two things have a fight. Two very unlikely things, if you can manage it. Like, maybe a comb and a spatula. Or a daffodil and a bag of potato chips. Or perhaps your two things could be linked somehow – like a rock and a hard place – and be utterly sick of being so joined. The possibilities are endless!

April 23: Today, we’d like to challenge you to write a poem about, or involving, a superhero, taking your inspiration from these four poems in which Lucille Clifton addresses Clark Kent/Superman.

April 24: Today, we’d like to challenge you to write a poem that begins with a line from another poem (not necessarily the first one), but then goes elsewhere with it. This will work best if you just start with a line of poetry you remember, but without looking up the whole original poem. Or you could find a poem that you haven’t read before and then use a line that interests you. The idea is for the original to furnish the backdrop for your work, but without influencing you so much that you feel as if you are just rewriting the original! For example, you could begin, “Shall I compare thee to a summer’s day,” or “I have measured out my life with coffee spoons,” or “I miss them, but it wasn’t a disaster,” or “they persevere in swimming where they like.” Really, any poem will do to provide your starter line – just so long as it gives you the scope to explore.

April 25: Today, we’d like to challenge you to write a poem based on the “Proust Questionnaire,” a set of questions drawn from Victorian-era parlor games, and adapted by modern interviewers. You could choose to answer the whole questionnaire, and then write a poem based on your answers, answer just a few, or just write a poem that’s based on the questions. You could even write a poem in the form of an entirely new Proust Questionnaire. We have a fairly standard, 35-question version of the questionnaire laid out for you below.

April 26: Today, we’d like to challenge you to write a poem that involves alliteration, consonance, and assonance. Alliteration is the repetition of a particular consonant sound at the beginning of multiple words. Consonance is the repetition of consonant sounds elsewhere in multiple words, and assonance is the repetition of vowel sounds. Traci Brimhall’s poem “A Group of Moths” provides a great example of these poetic devices at work, with each line playing with different sounds that seem to move the poem along on a sonorous wave.

April 27: Today we’d like to challenge you to write an “American sonnet.” What’s that? Well, it’s like a regular sonnet but . . . fewer rules? Like a traditional Spencerian or Shakespearean sonnet, an American sonnet is shortish (generally 14 lines, but not necessarily!), discursive, and tends to end with a bang, but there’s no need to have a rhyme scheme or even a specific meter. Here are a few examples:

Wanda Coleman’s American Sonnet (10)
Terence Hayes’s American Sonnet for the New Year
Ted Berrigan’s Sonnet LXXXVIII

If you’d like more specific instructions for how to get started, Write 253 has a great “formula” prompt for an American sonnet, which you can find here.

April 28: …try your hand at writing a sijo. This is a traditional Korean verse form. A sijo has three lines of 14-16 syllables. The first line introduces the poem’s theme, the second discusses it, and the third line, which is divided into two sentences or clauses, ends the poem – usually with some kind of twist or surprise.

You could also write a sijo in six lines – at least when it comes to translating classical sijo into English, translators seem to have developed this habit, as you can see from these translations of poems by Jong Mong-Ju and U Tak.

April 29: If you’ve been paying attention to pop-music news over the past couple of weeks, you may know that Taylor Swift has released a new double album titled “The Tortured Poets Department.” In recognition of this occasion, Merriam-Webster put together a list of ten words from Taylor Swift songs. We hope you don’t find this too torturous yourself, but we’d like to challenge you to select one these words, and write a poem that uses the word as its title.